Retreats and meetings
An agreed musical episode within a program organized by another person or space.

Robert Mamani is open to working with retreat, yoga and mindfulness organisers who need live acoustic music. His role is musical: he does not replace the organiser, yoga teacher or programme lead.
Explore the formatA session can accompany the arrival, open a time of listening, be integrated into a practice or close the day. The organizer maintains responsibility for the group, the location and the entire program.
An agreed musical episode within a program organized by another person or space.
Live music coordinated with the person responsible for the practice, without imposing a rhythm that does not correspond to the group.
A more concentrated listening format where attention is directed to breathing, silence and acoustic instruments.

Robert can combine instruments from his repertoire and build a sound sequence for the intended moment. The duration, breaks, the possibility of amplification and interaction with other practices must be decided before the meeting.

The arrangement of people, acoustics, temperature, access and security of instruments directly affect listening.
Objective of the meeting, person in charge, schedule, size of the group and place that the music will occupy.
Opening, accompaniment, concert-meditation, closing or several short entries.
Duration, silence, movement, facilitator's voice, sound, access and space conditions.
The organization manages participants and program; Robert responds for the agreed musical part.
This page does not offer a complete retreat. It is for organisers who want to include Robert’s live music in their own programme.
It can be discussed with the person responsible so that the music respects the duration, movement and actual rhythm of the practice.
Not necessarily. Sound Healing has its own page and formats. Here the music can be part of a larger event organized by someone else.
No identical physical or emotional outcome is promised. Robert contributes music and attentive listening from his experience; each participant’s experience is individual.
Indicate who is organizing, how many people will participate, the time and the planned function of the sound. This is how a specific collaboration can be valued.